My new music therapy intern, Sara

I’d like to introduce Sara. My business partner, Emily Ross, and I are sharing the brilliance of this university-affiliated intern.  She will be with us through the summer – working at West Hills Music Therapy Studio in Multnomah Village and traveling to various sites with us. Sara provides fantastic  energy and input into each of the sessions in which she’s involved. It’s truly my pleasure to work with her!

Sara holds a Bachelor of Music degree in Vocal Music Education and Vocal Performance from Coe College in Cedar Rapids, Iowa. After completing her first degree, Sara worked as a elementary music teacher in rural Minnesota for three years. Although Sara’s primary instrument is voice, she has played many instruments throughout her music studies including piano, guitar, and mallet percussion. In addition to music Sara has many other interests including hiking and running with her dogs and partner, going to Zumba classes, and cooking. After completing this internship, Sara hopes to start her own music therapy practice with a focus on people with autism.

Music Therapy Superhero

My music therapy movie :)

http://www.xtranormal.com/watch/12809225/superzeroz-movie

Welcome Wednesday - Theatre Group Celebrates Neurodiversity

Reblogged from :

This amazing group of Victoria youth are working on their latest production which will be A Midsummer’s Night Dream. They are also competing for a grant from the Aviva Community Fund and really need your support to help move them into the Semi-Finals! You can vote by clicking on the voting box in the right hand menu of this page.

Read more… 15 more words

What Mary Ellen Ross said about kids on the spectrum acting in their daily life is spot on and articulated so well. Great program.

Music Therapy in the Classroom: Creating opportunities for your child to succeed in a peer setting

I see most of my clients in an intimate one-on-one setting. Goals and objectives are created especially for each client based upon his or her strengths and challenges. These private sessions allow the opportunity for a more client-centered approach, which enables me to address the needs and desires of my client in that very moment. So if my client is having a bad day, I may throw my session plan out the window, forget most of my goals and objectives and simply spend time assisting my client in becoming stable and grounded, both physiologically and emotionally, through music. But typically, the sessions are planned in advance while the exact timing is frequently created with the client at the beginning of the session in order to reduce and alleviate anxiety about the next 45 minutes.

The Development of Music Repertoire: Over time, our individual sessions become stronger and more consistent as our relationship grows. We develop a repertoire of musical experiences and as my client masters an experience, we’ll add another. The goal is to enable my client the opportunity to feel successful with familiar experiences while always adding new challenges.

The Practice of Successful Musical Experiences to a Peer Setting: The families of some of my clients want  me to assist in creating more opportunities for social interaction as well. Most of the schools in Portland do not have music therapy in their budget or curriculum, so families actually pay me to go into their child’s classroom. This provides the opportunity for my client to share some of the music repertoire we’ve created together with his or her peers. In addition, I get to see a bigger piece of the puzzle when  I am able to observe my client in a group setting. Finally, a classroom of students is able to experience music therapy, observe their peer in successful musical experiences and gain greater respect and insight for a child who may frequently appear aloof or ambivalent. The experience is bonding and really fun for everyone.

Consider Creating This Opportunity For Your Child: If you have a child receiving individual sessions, consider creating an opportunity for therapy to happen in a group setting. Some schools may allow tax-deductible donations for a specific activity or may be able to co-sponsor a session. Even if the sessions don’t happen every week, they may prove to be extremely beneficial for your child’s relationship  with his or her peers.

Angie Kopshy, MM, MT-BC

Neurologic Music Therapist

www.musictherapyportland.com

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The Magic of Music Therapy Groups

For those of you who didn’t know, music and autism go together like peanut butter and jelly. A fantastic duo for most people, but of course, a dreadful combination for someone allergic to peanut butter or someone who hates jelly. What I’m getting at is that although music doesn’t work for every individual diagnosed on the autism spectrum, most seem to have an incredibly strong and almost magical response to music.

Once a month, West Hills Music Therapy Studio has a free music therapy group focusing on children diagnosed on the autism spectrum. This group, which is co-facilitated by two music therapists, is open to the first eight children who register. Although we strive to communicate with families prior to the group session, the truth is, we never know what we’re going to get. Today was one of those groups. I met four families for the first time – some early, some late – but all incredibly responsive to music. And I must confess that this group was the highlight of my day.

During our 45 minutes together, these four group members had the opportunity to play the drums while subtly practicing impulse control by starting and stopping on cue and acknowledging one another when it was time to pass the drum to the right. They had the opportunity to play a xylophone with guitar accompaniment while the rest of the group sang a bluesy song using the soloists name and concluding with a round of applause. We took some movement and dance breaks, threw some speckled frogs in a drum on cue, sang Old McDonald, strummed the guitar and engaged in other interventions that are fun for the group yet covertly therapeutic. We music therapists are sneaky like that.

So what makes these groups so great? One of my most important goals is to provide a safe and positive environment where each individual can experience and achieve success. The groups are person-centered, which means that I’m assessing each member. As soon as they walk into the room, I’m  looking for clues regarding both their strengths and challenges. For one child, the level of success may simply be that he stays in the circle for all 45 minutes. For another, it may be that she reaches out and strums the guitar once. As we all know, every individual is unique. This same concept applies to autism. Although there are typical behaviors and classic patterns, I have never met two children with autism who fit the same cookie cutter diagnosis. Every child is different. It makes my job both incredibly challenging and immensely exciting…because my brain never gets to take a break. A child I see on a regular basis may be in a completely different place from one week  to the next. But really, aren’t we all like this? I definitely have days when I’m completely off and others where I’m baffled by my awesomeness. It’s the roller coaster of life. And approaching autism from this ‘client-centered’ perspective is crucial for a music therapist.

Music has rhythm, melody, timbre, tempo, dynamics, harmonic structure and form. These elements stimulate brainwaves, alter our breathing and heart rate, and modify our state of mind – which means that I can start a session with a music intervention that facilitates deeper breathing and anxiety reduction, and enhances neural activity while simultaneously making an individual feel more grounded and comfortable in the setting. Within minutes, I can set my group up for greater success and spend more time focusing on cognitive, social, communicative, or perceptual goals. Then, because I’m using a client-centered and carefully observing the responses of each individual, I can go back to a more grounding, comfortable, relaxing intervention at any time. Although music therapy sessions don’t always run smoothly  and establishing a therapeutic relationship takes time, the overall results are typically quite remarkable.

If your child responds strongly to music and you haven’t given music therapy a try, consider finding a music therapist in your area. It may end up being a profound discovery that changes your child’s life. I’ve seen it happen.

Angie Kopshy, MM, MT-BC, NMT  of Music Therapy Services of Portland

Experts Explain Music Approaches for the Special Needs Child

Experts Explain Music Approaches for the Special Needs Child

Portland, OR – August 8, 2011 As parents prepare for the school year, they are looking for therapies and enrichment programs to supplement their child’s school day. Music is an excellent option because it is enjoyable for the kids, wakes up their brains, prepares them for learning, is self-motivating, and builds skills far beyond the musical domain. But when is a child ready for music and what is the best approach? Local music therapists, Emily Ross and Angie Kopshy, are offering a workshop for parents to answer these questions.

 

Parents can attend the workshop on either September 14th or 15th. For times and locations, go to www.selfexpressmusic.com or www.musictherapyportland.com. Each workshop will be 90 minutes long and cost $10. Parents will learn about music therapy, music lessons, adaptive music lessons, and group music classes. They will develop questions to ask potential teachers and discuss how much to reveal about their own child’s unique learning styles.

 

Emily Ross, MA, MT-BC and Angie Kopshy, MM, MT-BC, are both music therapists and music teachers specializing in autism at West Hills Music Therapy Studio in Multnomah Village.